April is just around the corner now.
I'm hand sewing my LE2 coverlet. This is the coverlet I'm teaching in a special workshop at AQC this year. Hand sewing gets me in a contemplative mood and has me asking all those mysterious questions all over again. Such as; knowing that the British were sticklers for records, surely there is an account of wealthy people throughout the country where the coverlet was first found?
And, having recognized and recorded the coverlet as such a fine example of work, why didn't Averil Colby say more about the quilt? Did she know more? Did she try to uncover more?
I just can't help feeling that the woman behind this quilt was remarkable - almost certainly in wealth, but also in textiles. And this narrows down the field even more. Was she a married to a mill owner? how did she have access to or afford so much chintz? If she was 'merely' wealthy and purchased so much of it because she could, this doesn't explain how she obtained or created the coverlet pattern.
And having created or obtained the pattern for the coverlet, wouldn't she have shown it off in her society circles? This pattern is really extraordinary and unique for its era. What does that mean? Did she make it personally? Or did she copy designs which she had seen outside of the UK? Was she a foreigner? So many questions, Love Entwined, so few answers.
I really hope I live to see this textile marvel and mystery solved in my lifetime. It really is a significant piece of work in the era and I'm sorry that it is languishing without it's maker's name. I wish there were more historical and archival textile hunters out there! The original is truly a national treasure. I hope it becomes recognized as such. And soon.
As for me, I have done what I could and now I'm focusing on sharing my love of Love Entwined in a larger centre based quilt exclusively for AQC this year. I'm really looking forward to the workshop. It feels doubly special to be presenting it in person too, especially as LE2 is such an emotive quilt.
I can't wait to meet my LE2 students in just a few weeks time. Are you coming? Have you prepared your background fabric? Are you ready for the workshop? In these weeks running up until AQC I'm making student contact my first priority, so please, if you have any questions - ask me!
I'm hand sewing my LE2 coverlet. This is the coverlet I'm teaching in a special workshop at AQC this year. Hand sewing gets me in a contemplative mood and has me asking all those mysterious questions all over again. Such as; knowing that the British were sticklers for records, surely there is an account of wealthy people throughout the country where the coverlet was first found?
And, having recognized and recorded the coverlet as such a fine example of work, why didn't Averil Colby say more about the quilt? Did she know more? Did she try to uncover more?
I just can't help feeling that the woman behind this quilt was remarkable - almost certainly in wealth, but also in textiles. And this narrows down the field even more. Was she a married to a mill owner? how did she have access to or afford so much chintz? If she was 'merely' wealthy and purchased so much of it because she could, this doesn't explain how she obtained or created the coverlet pattern.
And having created or obtained the pattern for the coverlet, wouldn't she have shown it off in her society circles? This pattern is really extraordinary and unique for its era. What does that mean? Did she make it personally? Or did she copy designs which she had seen outside of the UK? Was she a foreigner? So many questions, Love Entwined, so few answers.
I really hope I live to see this textile marvel and mystery solved in my lifetime. It really is a significant piece of work in the era and I'm sorry that it is languishing without it's maker's name. I wish there were more historical and archival textile hunters out there! The original is truly a national treasure. I hope it becomes recognized as such. And soon.
As for me, I have done what I could and now I'm focusing on sharing my love of Love Entwined in a larger centre based quilt exclusively for AQC this year. I'm really looking forward to the workshop. It feels doubly special to be presenting it in person too, especially as LE2 is such an emotive quilt.
I can't wait to meet my LE2 students in just a few weeks time. Are you coming? Have you prepared your background fabric? Are you ready for the workshop? In these weeks running up until AQC I'm making student contact my first priority, so please, if you have any questions - ask me!
My goodness, time is flying!
in this version you mainly just have less flowers in the vases? it looks wonderful, if I lived in your part of the world I would have loved to take the workshop
ReplyDeleteOh Esther this will be another beauty. I just know you will so enjoy the class. I truly wish I could be there. I have learnt so much from you in the last few years. Happy to be a far away student. But oh how lovely it would be to be in class with you. Enjoy. Bunny
ReplyDeleteI wish I lived close enough to take this workshop! It is breathtaking. Have a wonderful time.
ReplyDeleteso special in reds! beautifull.
ReplyDeleteYour numbers of followers are going to shoot out the roof with these set of posts. Both versions are so beautiful, Esther.
ReplyDeleteWauwEsther how lovely. The colours, the pattern. I love it. I wish you a very good time in America. Try to enjoy over there.Lots of succes. Kind regards. Maud
ReplyDelete