Worst. Flu. Ever.

Thanks to everyone who commented on my previous post about Delft. They still haven't apologized or credited me and I'm somewhat annoyed about it. Sure, everyone makes mistakes, I'm the first to accept that to err is human. But now that they know and have been advised - and have chosen not to rectify their error - its a very poor standard of business values to simply ignore this matter, which is precisely what they are doing.

Yes, there are things I could do about it. But I'm not going to. I'm not an argumentative person and its not worth my time to pursue this from the other side of the world.They aren't financially benefiting from the image, they're just being plain rude. And its so easy for them to rectify. And yet they haven't. It's disappointing.

Since Easter I've been battling the Worst Flu Ever. Its hit me hard and I've been spending all my time trying to recover myself for my upcoming classes at AQC in a few days time. I think its so disappointing to find that your class is being run by a substitute (even when it can't be helped) so I went to the doctor on Easter Monday to take serious action to get me back on my feet. Usually I'm the kind of person to let things run their course, but this time that wasn't possible. Two rounds of antibiotics, an injection and a 2 weeks in bed and I'm only now starting to feel human again.

I always feel that when you're sick, everything goes wrong. And in my experience it does! My pattern booklets for my workshops were printed wrongly and had to be sent back. Then the pattern sheets I'd spent months organizing were printed at the wrong size. Printers just don't understand that an extra few centimeters change an entire pattern, making it unusable. What a hassle. What this means is that I'm going to have to do it all myself and at the last minute, even though I had planned so that this wouldn't happen. It takes a lot of planning to run a workshop and its just been bad timing that I got so sick right when everything was coming together.

Unpacked and all wrong. :(

Here's what my dining table looks like.

And there are my tea towels, off the line and waiting to be ironed. 

A woman's work is never done..

WOW: 'Oma's Easter' and the City of Delft

WOW = WIPs On Wednesdays

How was your Easter? I spent mine rugged up, battling a cold. Luckily my DDs took care of Easter Sunday lunch and I spent most of the weekend trying to recover. During religious occasions and holidays I never go online or use my computer so I was surprised to find out (thanks Anne Marieke) that, on Maundy Thursday, the official City of Delft Facebook page published an image of my 2015 Easter project - Oma’s Easter. As many of you know, I have released a quilt design called Oma’s Blues which is inspired by Delft tableware. And my Oma’s Easter project was designed in the same style. I can see why they used it; it really has the ‘Delft’ feel to it.

But here’s the problem: the City of Delft went ahead and did what so many businesses, agencies and individuals do nowadays –they grabbed an image without the owner’s permission and used it to suit their own purposes without any credit or acknowledgement to its maker. How rude!

I would have loved for them to mention that it was my design alongside a link to my blog. They could have even mentioned it was my free Easter Project, inspired by Delft and that everyone was welcome to create it.

Is it so hard to be polite? To be considerate?

The irony of this situation is that I would have been delighted to allow the City of Delft to use my image, if they had only bothered to ask me. In fact, I would have considered it an honour. Delft is a place I have always wanted to visit and sharing my work with them and their readers could have and should have been a real pleasure.

What Do You Think?

Is it really so hard to credit someone?

An InLinkz Link-up

Lily Rose: QUILTED !

'Mum, CAPITALS mean you're shouting.'

Well, I don't mind. Do you mind if I shout about it?

I just finished quilting Lily Rose and I am delighted about it!

As I was quilting Lily Rose, I thought a lot about the elements that were on my mind when I designed it. Really, Lily Rose is just another ode to Love Entwined. In many ways, I just can't get over Love Entwined - in the sense that something about it feels so unfinished. To have come so far and found it, to have discovered that it is still around, and yet have no further information about its origins is so frustrating. And I think about the Love Entwined coverlet design over and over and I know that the woman who made it, or instigated it, could not have gone un-noticed in British Georgian Society circles. And knowing that somewhere, the answer to our questions is out there makes it all the more tantalizing for me.

I designed Lily Rose after visiting the V&A 1700s exhibition and Lily Rose is bit of everything I love from the Georgian era quilts that were hanging there - condensed into one bouquet! That's how I think about it anyway. 

I purposefully chose gaudy colours because it felt so right in a Georgian tribute quilt and looking at them now, I am in love with the shouting vibrancy of them. 

And yes, the turquoise and gold have been used for the same reason: so Georgian and so right in my eyes. I am inspired by most things turquoise and gold at the moment, I still don't have the Georgian influence out of my system!

 I'm finished!

Doesn't it always feel so good to finish a quilt?

Lily Rose will be on display at AQC this year in Melbourne (which is just around the corner now) so if you're coming, make sure to keep an eye out.

Look out for my pattern too! I know there's been a demand for this pattern in hard copy so I'm currently looking to see if its possible to sell this pattern in hard copy through any interested stall holders who'll be there.

I'll keep you posted!

Lily Rose: Quilting Flower Details

This is how I chose to quilt my flower heads. I  felt they needed some emphasis and I've provided it with stitching throughout the petals and leaf veins. 

I also felt that the lillies were missing something. The petals were so large that I decided what was missing was a vein up the middle. I added this simple stitch with an embroidery thread by hand. I think it makes a great visual difference even though its such a small, basic detail. 

I'm nearly done now and I really do love the look and feel of Lily Rose. I can't wait to hang it up and enjoy it every day.

WOW: April Fool's Day

WOW = WIPs On Wednesdays

I know I say this every month, but can you believe its April already? 

Are you ready for Easter?

Today I'll be quilting non stop, I'm nearly there and hope to have Lily Rose finished today. 

Wish me luck!

What's Your WOW?

An InLinkz Link-up

Lily Rose: Starting to Quilt

I've decided on simple, elegant quilting lines for Lily Rose. I've pulled out my trusty old Brother Nouvelle because using my Bernina 820 is too stressful. 

As for the Brother, I actually had it for sale on Gumtree as I am trying to downsize and 'let go' of my (good but no longer useful to me) machines, but it's such a great workhorse that I've decided I can't let it go just yet. 

I have 11 sewing machines and I've reached a stage in my life where this is not useful to me anymore. I'm too spoiled for choice and find that I don't use any of them anywhere near enough. There are some machines I will have forever - like my Bernina 440 and my 1950's Elna which is nearly as old as I am! I wonder sometimes if my Elna will outlive me. It probably will you know. This is the only machine I have owned that can stitch canvas to silk without missing a beat. They just don't make them like that anymore. This reminds me that I'll have to take a photo of it and stick it up here as a 'hall of fame' machine for everyone to see for themselves. It really is one of those legendary machines!

With 1500 stitches a minute, I'm in love with the Brother over again! And I'm confident that I'll be able to domestic machine quilt Lily Rose without any hassle. 

Many of you know that I have experienced unacceptable issues with my Bernina 820 and I can tell you that Bernina have contacted me regarding this matter with a view to repairing this machine for me. They would have collected it already, but due to my workshop, teaching and travel schedule this wasn't possible on my end - so I'm looking forward to having my 820 remedied after April.

Today, I am doubly focused - I'm on a strict deadline and have to make progress or else I won't have Lily Rose ready in time. 

I'll keep you posted...

Lily Rose: Getting Ready for Quilting

Yesterday I had a quiet afternoon and decided it was time to take the plunge with washing Lily Rose. I had concerns with further colour leaking in the wash from the batiks I hadn't colour tested and after salvaging the fabric from one disaster, I have been worried about 'ghosting' from the stain.

I have Synthrapol in my cupboard from my hand dyeing days. When I had my Lily Rose disaster and blogged about it back in February, I was reminded of how useful it could be. Speaking of colour run disasters, Vicki Welsh shared her blog over in those comments, she has a 'save my bleeding quilt' area that is full of useful info and I have added her button to my sidebar now. I recommend reading the info for the sake of it, just so you have that knowledge in case you ever need to use it. I did have a lot more working knowledge regarding dyeing back when I was doing it frequently, about 12 years ago now, but it's a case of out of sight, out of mind for me!

I'm relived that Lily Rose is fine and now that it's dried and ironed, its ready for squaring up as I prepare for quilting. I always say, 'quilting is what makes a quilt, a quilt'and its much the same with a wall hanging. Today as I prepare Lily Rose, I'm already thinking about shapes and lines that will be useful as I quilt. 

Looking over Lily Rose, I'm really happy with the colour balance in the patchwork and overall generally. I love the pop of the aqua and the gold and the bouquet is just right in my own opinion. So I'm thinking of completely neutral quilting in a neutral thread colour as I want to quilt and bring out the quilt itself, rather than the quilting.

Because of the oval shape in the centre, I'm feeling that the oval will need more concentrated lines to keep the shape nice. I get this feeling because the fabric I used from my stash in the gold was a little lighter than I would have liked ideally and I did go ahead and add some extra batting to plump out the frame too.

I measure precisely, clipping as I go to get everything neat and lined up. Ideally, I would love to have this quilt basted for me, but it's quite expensive for what is an easy task for me, especially at this size. I would really love to have all my quilts basted prior to quilting, but the cost often doesn't justify the means. I find that with my larger quilts, I find this process much more time consuming and physically involved, but with Lily Rose, I can make do on my table.

I was really excited when I first purchased these 'pins' a few years ago (4? 5? years ago now?) but really haven't found them to be useful to me at all. In the beginning I though they were great and I also thought they would cut down on my pinning time. To be honest, they get in the way. It's just the way I work and do things, I find them to be more trouble than assistance for me because of my own pinning style and they only come in handy with smaller wall hangings and projects, so this has been the first time I've seen and used them in quite a while.

I'd love to know if anyone else uses them. How do you find them?

  stitches in, ready for quilting 

I'm not even considering using my Bernina 820 to quilt Lily Rose. This year has been non stop hectic for me and I have a deadline for quilting Lily Rose, I physically do not have the time to deal with issues. For me, a lost afternoon can be the difference between showing this quilt - or not. So I'm not taking any chances. I have pulled out my old Brother and will be quilting with that machine this week.