Meet My Quilt: Peony Pride

I've been revisiting my stencil quilt patterns and oh boy, I'd completely underestimated how much stencil work I did back in the day! Well, just lately I've started receiving more and more interest in stenciling fabric so I thought now would be a good time to revisit my stencil quilts- by showcasing one each week. I hope that sharing my technique and passion, those of you who are interesting in trying this technique will be encouraged to give it a go. Applique is my true love, but there's no denying the allure of stenciling and what it can allow you to create.

Back in 2007 I wanted to create a modern quilt that had all the traditional elements I loved from those quilts of a bygone era - it had to be simple, be floral and make an impact. As a textile artist long before I was a quilter, I was completely comfortable with the idea of stenciling - even though those around me weren't so keen in my newfound interest and I couldn't find any like minded quilters to share my passion with. Not that this put me off, I was determined to see through my own personal stenciling challenges.

You see, I think that stenciling is ahead of it's time - way ahead, and I do think that one day it will get the respect it deserves- I hope it happens whilst I'm still quilting as I feel it's long overdue. It's especially odd to me as stenciling is not some new 'fad' but is up there with heritage quilting techniques - it's been with us since those very first New England quilts so there's no reason to avoid it for the sake of sentimentality.

I got the urge to create Peony Pride because I wanted to create a 'classic' quilt which was completely stenciled, and by doing so challenge the idea of what 'traditional' could mean for a quilt. I decided to just make a go of it and keep it simple. I designed Peony Pride in a single afternoon after flicking through my design journals and I have to say, looking on 9 years later, it still feels relevant and 'now' and yes, I would make it all over again. I still love it. 

An InLinkz Link-up

Let's Stencil: Learn How Right Now

Let's Stencil: The Tulip

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Materials:Cutting matt
Tracing pencil
Permanent fine marker
Craft cutting knife or scalpel
Sharp scissors
Paper towels
Stubby paint brushes for stenciling: I like using round brushes, size 8 & 10
Small containers for mixing up colours
Freezer Paper ( I use Reynolds Brand)
Acrylic or textile paints (textile medium if applicable)
Extra fabric for experimenting
Plain background to be stenciled, approx a 12 ½inch block, however the size isn't as important as this workshop is focusing on technique.
Whichever acrylic paint you choose, ensure that you use Textile Medium unless specified otherwise by the paint manufacturer.
Textile Medium helps paint adhere to fabric—for better setting, and is always recommended.
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A stencil pattern is what you create when you cut out selected segments (holes) from a design according to a line drawing. Starting with the line drawing that you want to turn into a stencil, trace this line drawing onto freezer paper (use a light box if required)

  

Position freezer paper on cutting mat 

Then carefully cut out the design with a craft knife

It will look like this when complete

When cutting out your design, allow plenty of time. I find working with a scalpel best, however some people prefer sharp thin bladed decoupage scissors—use whatever method you are most comfortable with. You do not want to rush the cutting out as the lines will show up in your stenciling—jagged edging shows. If your work is neat, keep all the ‘cut outs’ separately for use later.

You want to keep the bottom half of the leaves for shading, so don't discard them

Iron your fabric and position your freezer paper stencil. On a mid heat, iron down the freezer paper. Do this carefully and ensure that all the lines are firmly ironed down as you do not want edges coming loose and lifting up when stenciling!

Set up your paints and pre-mix the colours you want to use. For this workshop, I used green and red and to create a darker green for shading, I simply blended the two together. Use a new brush for each color. There will be no need to rinse your brushes during stenciling.

Have plenty of paper toweling ready for blotting off excess paint from your brush. I can't stress this enough. Stenciling is not about 'painting' fabric, it is about building up layers of almost dry paint stippled into position - and these are very different things. 

Apply some paint to your blotting tissue. Now blot off any excess paint. It is important that your brush remain somewhat dry. Remember that you are building up color. When applying paint to your stencil, buff the color in with quick circular movements—with stenciling you are building up color, almost as if you were dry painting. DO NOT SATURATE THE STENCIL.

Colour is blotted into the fabric with a dry brush. This allows you to go over areas and build up stronger color where desired, creating shading effects. If you saturate your brush, or if you did not iron down completely, parts of the freezer paper will lift—and this will lead to color seeping through and smearing. THIS IS TO BE AVOIDED. As below.

When you reach an edge of color, such as red meeting green—use a plastic template as a barrier to keep colors separated. 

The stencil is now stenciled

Lift up your fabric. The painted stencil should be dry to touch and NOT leaking through the fabric. Leaking, seeping & blurriness mean too much wet paint! This image below is how your underside should look - essential dry to touch with no bleed through. 

To create 2 color shading effects on a leaf, return to your earlier cut outs and re-position half of the leaf cut out back onto the flower, as shown below. Iron down the freezer paper piece on top of the paint. Iron down both leaf pieces.

Painting the darker hue: Use the same circular dry method of stenciling. You are only covering half the painted leaf—you are covering the half you do NOT want painted a darker hue. 

Now, using a darker green, paint the top of the leaf

The freezer paper acts as a barrier to protect the color beneath

When dry, peel off the added freezer paper leaf pieces  to reveal two tones of color

Leave the stencil until dry to touch

Then carefully peel back the freezer paper stencil as seen below

Allow stencil to dry

Turn over and iron on wrong side of fabric

Turn to right side and iron over stencil to heat set

Cover ironing board with pressed cloth or paper and heat set the paint by ironing on the back of your stencil with a dry iron set on cotton. Ironing on the back of your stencil sets the paint most successfully (3 -4 minutes). I use fine paper over the stencil to protect my iron against staining when ironing the front. 

Now, what's stopping you from trying your hand at stenciling? 

The Tulip
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Simply click on this image to download your free

The Tulip Stencil Pattern 

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Start Stenciling Today PDF Guide

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Quilt Stenciling: Have You Tried It Yet?

Stenciling is not  new; in fact, it is one of the oldest and most authentic quilting techniques.

The European migrants arriving in New England brought the craze of stenciling with them to their new land. At that time, stenciling was popular on walls and furniture, eventually making its way onto textiles and whole cloth quilts. At it’s peak, the demand for stenciling saw ‘travelling stencil craftsmen’ make a living moving home to home with their stencil designs, working during the day in exchange for board and food. 

If only we could go back in time, I would love to unpack the settler’s luggage with them so I could see their beautiful stencil quilts and stencil patterns. We just don’t know what a rich legacy we’ve lost as the paints they used were either corrosive or food based and did not survive. From what little evidence exists from their walls and furniture, they were highly skilled and creative people and we’ve lost a lot. Today, stenciling is undervalued. This is a great shame as it demands workmanship and creativity and deserves respect as an authentic technique with a rich heritage.

Thanks to advances in fabric medium and paint, stencils made today will last as long as commercially printed fabric. And stenciling is so versatile, you can also achieve these results using paint sticks.

Do you have a journal full of design ideas?

Maybe you just want to try something new?

Stencilling allows you to really 'own' your quilt, from designing to technique and through to quilting. It forces you to really know your work whilst allowing you to run free of conventions. When I stumbled across stencilling, I was delighted with the results. Whilst not wanting to replace beautiful appliqué, the effect is beautiful and unique and allows a quilter to really make their mark in design and quilting. What a wonderful technique.

An InLinkz Link-up

WOW: Roses Galore!

WOW = WIPs On Wednesdays

I've got roses on my mind this year: rose fabric, rose lace, rose prints, rose fragrance and now, rose patterns. Oh yes, we're rose crazy in my house. I have three upcoming patterns, each one rose based and I have no idea which one to release next as I love them all equally, so I decided to take some time out and relax - by colouring in a page of my own rose head designs. It worked!

Today I'm 'tidying' up my WOW piles and clearing out my folios - those patterns 1/2 and 3/4 near finished need to be finally completed and released so I can move on with new pattern adventures. I also have a Nelke update I need to get done and am looking forward to have some new designs float out into the world very shortly.

I can't wait to share more with you, but for now, it's back to my roses and pattern making.

What's Your WOW?

An InLinkz Link-up

July Glad Tidings!

Happy Christmas in July!

I just received an invite to a dinner party celebrating Christmas in July. What? When did all this happen? It's July already and my head is spinning!Where has the first half of the year got to?! I've been in a bit of a daze since my mother's death and I'm shocked at how quickly the months are rolling by. I had planned on releasing a 'Christmas in July'  pattern, but look at me now, it's already  the 5th and I haven't even looked at the Christmassy side of my folio.

Have You Made It?

Last year I released 'Glad Tidings' as my free end of year pattern set and after Christmas, I released the table runner over on Craftsy for free where it's been downloaded every day since then. Last night I received an email alert like I usually do letting me know how many downloads there have been. Well, there's been a sudden peak in downloads and the totals are now over 6,000!

Do You Love It?

I suppose everyone else is more organised than I am - July is the perfect month to start a festive quilt. And you  know what? As much as I love each piece of Glad Tidings, I haven't even made one for myself! So here's my request, if you've made Glad Tidings (any item) please send me a pic, I'd love to see it all made up :)

Can I see it?!

And if you haven't you still can, the complete table runner is available for free over in my pattern shop.  You can download it by clicking here now. 

Dear You Know Who You Are

Dear you know who you are,

You read my blog and became excited about my upcoming project - so excited that you joined my Yahoo BOM Group the very same month my pattern was first launched in June 2013. You know the one: the historic, epic, heartfelt work I spent years drafting just so I could share it with the world - and did so, -freely- in order to revive interest in it's legacy. You know all about that too, because you faithfully downloaded my free patterns each month alongside thousands of other quilters. And like many others, you opened an album in my Group and shared images of your progress on the quilt I had released. You enjoyed working on such a historic and beautiful pattern.You were moved by the story behind the once lost quilt - but not because of its historic value, no, you were motivated by other factors.

Like many members making the pattern, you were inspired. But then you went and did something very different to all those other quilters. You waited. And once my pattern release was complete, once all 18 parts had been freely given and downloaded, you decided that it was now time for you to start your own historic quilt. Coincidentally, it was of course the very same historic quilt which I had just released. It was, you would point out, very different from mine. And yet, not really.

For this time around, you had the luxury of using my pattern as the foundation basis from which you could work from and tweak to suit. You pretended to create a pattern in the manner I had documented several years before. But you forgot to mention that you already had my pattern available to copy from. And copy you did. To you, Copyright meant nothing. Sharing my skills was simply a platform for you to take from. And you took. And you made superficial changes which you thought made you a new original, but it did not make you any such thing. You made a counterfeit in the truest sense of the word, for you copied without acknowledging the source design, you copied without respect for me or my work, without respect for the original, without respect for the first quilter who had labored and who's identity was lost and without respect for yourself.

You know that I strongly encouraged quilters to take my pattern and 'make it their own' with my best wishes on one condition - that they acknowledge the source of their design. Many did this with increasingly wonderful results. But not you. You refuse to acknowledge and credit the source of your design.

Now I get continuous emails letting me know you're selling this pattern of yours. And I wonder: do your students know the source of your design? Do they know the legacy of the work? Do they know the original was found and potentially saved because of the free pattern release? Do they understand what Copyright means? Do they know what a destructive domino effect occurs when quilter's start turning a blind eye to Copyright? With all these documented facts recorded, I'm shocked and disappointed by your brazen, dishonest behavior.

Quilter, you know who you are.
But, I wonder, do you know what you are?

LE: Month by Month, Part 5

 

Well, what a week for Love Entwined, it's been one good event after another for this this quilt this month! As I type this Month by Month installment, I'm still over the moon for Narelle Birchall who won 3 awards at the Sydney Quilt Show for her extraordinary Love Entwined. And the best bit? The LE quilt explosion has only just started warming up. There are thousands of LE's out there and I can't wait to see more of them in the years ahead. What a lovely start to July.

Now, time for covering part 5. Last month I went over what starting the vases looks like from a technique point of view and I also listed lots of links full of information and lovely pics to help you decide how to fashion your own. With the 4 vases, each of the four months is relevant, so don't forget to re-visit the Part 4 link for inspiration and techniques. 

The vases are so special, and you have so much scope to fine tune them to your own style. They're a focal point for the eyes and they're surrounding the main centre, so you can make each unique and standout in its own corner, or style them to all harmonize. The fabric choices you make here can really impact your borders to come. That's why the colours are so important. A few well placed blender tones introduced in the centre now will allow you to reintroduce those colours later in the quilt. 

For me, I chopped and changed my vase flowers multiple times, I just couldn't settle. And each new idea worked in it's own way, but I couldn't stop fiddling until it 'felt' right. LE has that effect on it's makers, you can play around for hours before the quilt lets you know what works. You can read all about how I got through the always difficult fabric auditions in my posts related to Part 5 linked below. 

An InLinkz Link-up

Love Entwined is an extraordinary historic quilt pattern with it's own dedicated Group over on Facebook. You can purchase the pattern outright, or sign up to a monthly subscription that delivers a 'Part' to your email in-box each month for just $9.95. If you're interested in this once in a lifetime heirloom quilt, there's never been a better time to start. We've gone before you and have the blog posts, pics and experience to show you how we did it. Also, with an encouraging online group making LE themselves, there's always someone to connect with and chat to about this quilt.

What's stopping you?

Click here to buy the pattern as a complete download

 or as an ongoing BOM