Lily Rose: Starting to Quilt

I've decided on simple, elegant quilting lines for Lily Rose. I've pulled out my trusty old Brother Nouvelle because using my Bernina 820 is too stressful. 

As for the Brother, I actually had it for sale on Gumtree as I am trying to downsize and 'let go' of my (good but no longer useful to me) machines, but it's such a great workhorse that I've decided I can't let it go just yet. 

I have 11 sewing machines and I've reached a stage in my life where this is not useful to me anymore. I'm too spoiled for choice and find that I don't use any of them anywhere near enough. There are some machines I will have forever - like my Bernina 440 and my 1950's Elna which is nearly as old as I am! I wonder sometimes if my Elna will outlive me. It probably will you know. This is the only machine I have owned that can stitch canvas to silk without missing a beat. They just don't make them like that anymore. This reminds me that I'll have to take a photo of it and stick it up here as a 'hall of fame' machine for everyone to see for themselves. It really is one of those legendary machines!

With 1500 stitches a minute, I'm in love with the Brother over again! And I'm confident that I'll be able to domestic machine quilt Lily Rose without any hassle. 

Many of you know that I have experienced unacceptable issues with my Bernina 820 and I can tell you that Bernina have contacted me regarding this matter with a view to repairing this machine for me. They would have collected it already, but due to my workshop, teaching and travel schedule this wasn't possible on my end - so I'm looking forward to having my 820 remedied after April.

Today, I am doubly focused - I'm on a strict deadline and have to make progress or else I won't have Lily Rose ready in time. 

I'll keep you posted...

Lily Rose: Getting Ready for Quilting

Yesterday I had a quiet afternoon and decided it was time to take the plunge with washing Lily Rose. I had concerns with further colour leaking in the wash from the batiks I hadn't colour tested and after salvaging the fabric from one disaster, I have been worried about 'ghosting' from the stain.

I have Synthrapol in my cupboard from my hand dyeing days. When I had my Lily Rose disaster and blogged about it back in February, I was reminded of how useful it could be. Speaking of colour run disasters, Vicki Welsh shared her blog over in those comments, she has a 'save my bleeding quilt' area that is full of useful info and I have added her button to my sidebar now. I recommend reading the info for the sake of it, just so you have that knowledge in case you ever need to use it. I did have a lot more working knowledge regarding dyeing back when I was doing it frequently, about 12 years ago now, but it's a case of out of sight, out of mind for me!

I'm relived that Lily Rose is fine and now that it's dried and ironed, its ready for squaring up as I prepare for quilting. I always say, 'quilting is what makes a quilt, a quilt'and its much the same with a wall hanging. Today as I prepare Lily Rose, I'm already thinking about shapes and lines that will be useful as I quilt. 

Looking over Lily Rose, I'm really happy with the colour balance in the patchwork and overall generally. I love the pop of the aqua and the gold and the bouquet is just right in my own opinion. So I'm thinking of completely neutral quilting in a neutral thread colour as I want to quilt and bring out the quilt itself, rather than the quilting.

Because of the oval shape in the centre, I'm feeling that the oval will need more concentrated lines to keep the shape nice. I get this feeling because the fabric I used from my stash in the gold was a little lighter than I would have liked ideally and I did go ahead and add some extra batting to plump out the frame too.

I measure precisely, clipping as I go to get everything neat and lined up. Ideally, I would love to have this quilt basted for me, but it's quite expensive for what is an easy task for me, especially at this size. I would really love to have all my quilts basted prior to quilting, but the cost often doesn't justify the means. I find that with my larger quilts, I find this process much more time consuming and physically involved, but with Lily Rose, I can make do on my table.

I was really excited when I first purchased these 'pins' a few years ago (4? 5? years ago now?) but really haven't found them to be useful to me at all. In the beginning I though they were great and I also thought they would cut down on my pinning time. To be honest, they get in the way. It's just the way I work and do things, I find them to be more trouble than assistance for me because of my own pinning style and they only come in handy with smaller wall hangings and projects, so this has been the first time I've seen and used them in quite a while.

I'd love to know if anyone else uses them. How do you find them?

  stitches in, ready for quilting 

I'm not even considering using my Bernina 820 to quilt Lily Rose. This year has been non stop hectic for me and I have a deadline for quilting Lily Rose, I physically do not have the time to deal with issues. For me, a lost afternoon can be the difference between showing this quilt - or not. So I'm not taking any chances. I have pulled out my old Brother and will be quilting with that machine this week.

Sewing Into The Weekend

This is how my family sees me most evenings at the moment; hunched in the corner with my 'daylight' lamp, sewing the night away. As you can see, I have set up a little sewing bar stool 'station' of my essentials.

The nights are getting cooler and usually at this time of year, I think about my yearly winter knitting or crochet project. This year I won't be making anything up with wonderfully warm wool as I am having one of my busiest years yet - volunteering, teaching and a revival in stencil workshops has seen me so busy that I simply don't even have my evenings free anymore to think about crochet.

Luckily, I have a sidebar full of bloggers who are knitting or hooking away and I am living my yearly project ideas through their talent and creativity. Sometimes when I am sewing away here in the evenings, I think about how far I've come, internet wise. I would never have believed 20 years ago that I would have quilting friends throughout the world and be part of an online blogging quilting group either. Its really wonderful to see how small our creative worlds are and how easily connected they are these days. What a great time to be creative in...

WOW: LE2 Progress

WOW = WIPs On Wednesdays 

When I designed my AQC Love Entwined workshop, LE2, I thought I'd have plenty of time to get all that hand sewing done and down. And I suppose I don't have to tell you what happened next? That's right, time ran away with all my good intentions and planning! Somehow I am still hand sewing my top in all the spare time I have. I don't think I have ever done so much hand sewing ever! It's intense. Any yet, as with anything associated with Love Entwined, its somehow also addictive and I just keep on going.

I've made a lot of progress and the end is finally in sight. I have about 100 hours left of hand sewing on this top to go.

As you can see from the picture above, I am working on a whole cloth which I created by joining several pieces of fabric together as I couldn't find a whole cloth big enough in the fabric I wanted. You can barely see the join in real life with the eye, but somehow the camera really picks it up in this image. And here is the back, all my neat small hand sewn stitched. I have a renewed enthusiasm for everything Love Entwined at the moment and have already heard from a few of my AQC students. I'm really looking forward to our workshop together and know that it will be 'time' in no time.

Can you believe it's already March? Almost Easter? The year is marching on! As for me, today I will be hand sewing and hopefully I'll get in a good 10 hours before my fingers demand I stop.

What's Your WOW ?

An InLinkz Link-up

My Tinkering Bag

Earlier this year I started volunteering in a young women's sewing group. They're interested in basics like hemming, using different sewing machines and decor projects like cushions and curtains. I've had a lot of fun teaching them what I know and although I haven't made quilters of them yet - I've got the rest of the year to accomplish that!

What I've found most interesting so far has been seeing how they purchase fabrics (and what influences them to do so) and learning about what captivates their interests. I'm a quilter and am in somewhat of a quilting 'loop' so I'm fascinated to see first hand how new sewers are approaching 'sewing'. All of them are taking their sewing cues from Pinterest which I find really interesting. And through Pinterest they came across Craftsy and through Craftsy they each purchased a pattern for making a kind of utility bag. I've been teaching them how to follow patterns and make up these bags, but don't have a pattern myself. So, when making LE gets too much for my fingers, I've been playing around with my own version. I've been tinkering around with it for a few weeks now and am almost finished.

I'm working by eye, so mine isn't exactly 'right' but its perfect for me and I'm adjusting it to suit my 'portable' sewing needs as I've never found a carry along bag that does. Thinking about it, I don't know what took me so long to come up with the motivation to make my own! Finally I can make compartments with zips - plenty of zips!

Any opportunity to raid my stash is a good opportunity!

My tinkering bag needs a collapsible 'bin' that can safely hold threads and broken needles ( I am finding that many needles are breaking mid use and I really wonder what that is about? dropping quality?) before I can dispose of them safely. And of course, my lid is an impromptu pin cushion! You can never have too many pins when you're hand sewing!

Afterwards, it twists down nice and small for packing away.

Now I just have to create my outer cover and add some handles and probably a top zip too.Until now I've been using smaller bags kept in a larger bag and rummaging through them whenever I need to take my teaching tools anywhere - it's too messy. As for this new style, I hope to get it done today. I'm finding that I need to take me sewing around with me more and more and it's about time I had a tinkering bag all of my own!

FREE Pattern: Oma's Easter is launched

This year I've been thinking about Oma's Blues a lot. I have my blue stash at the ready and although I haven't started my own Oma yet, I'm getting such a kick from seeing everyone else makes theirs - its always on my mind!

Thanks so much to everyone who is sharing their progress and images over in the Yahoo Group, I really love seeing what you do and its almost as good as making my own - I get all the eye candy without any of the hard work. For the time being, anyway :)

You know I love to release an Easter project each year and this year is no different. I've designed an 18 x 14 inch wall hanging (mine will go on our kitchen door, its the perfect size) and I've styled it in Oma style to fit right in with Oma's Blues (when I eventually have my own hanging in our dining room). I love these two bunnies. There's a boy and a girl here meeting up over a delft inspired egg nestled beneath a folk heart. The cornices are a styled return to Oma and I like the delft-ish feel so much that I feel a cushion coming on....perhaps an early Christmas project? Time will tell...

I'm really happy to share my own Easter project with you again this year and can't wait to see how you make and style your own. 

I opted for blue and white as this is the stash I'm busting in 2015, but I couldn't help going wild with colour and here's my bright spring version:

This pattern is available for free over in my Facebook Bom Group and suits all applique styles. To be really fast, I'm thinking of making mine with fusible and will blog it during the week when I do, so stay tuned...

Oma's Blues is my current free BOM. You can download it for free over in the files area of my Facebook Oma's Blues BOM Group. Oma's Easter is the Oma's Blues Easter project for 2015 and will be available for free until Easter.

How I Make Ironing Matts

I thought everyone had an ironing matt?

I love being able to iron on the spot and I find that it makes workshops all the smoother when you aren't waiting for your turn at the ironing board. When I'm sewing at home, (if I have the space) these matts mean I can make an ironing station right next to my sewing machine so I don't have to go and use the ironing board in between stitching - great if you've got a WIP pile like mine.

I don't really know what to call them - ironing boards, mobile ironing matts, table top ironing protectors? I thought everyone had these (apart from new quilters in workshops) so I was surprised that any of you were interested in seeing more of mine. Basically they allow me to iron on a table without the heat transferring through to the table or surface below. The matt is usable on both sides if you use a firm canvas fabric on the bottom layer. It's such a handy thing to have and it makes any area a perfect ironing spot!

Materials:
Teflon pressing sheet
Double layered 100% wool batting (I've used Matilda's Own)
Canvas (or thick cotton). I used fusible canvas - it's usually used on men's shirt collars, this fabric is extra strong and has the added bonus of having a fusible side. This is what I used. You could use canvas instead which I do recommend.
Liquid stitch glue

I press the canvas to 1 layer of the wool batting. This canvas is my underside. Then, I apply liquid stitch glue to the batting and position another later of batting on top of that ( a double later of wool batting). Using glue simply prevents it all from shifting around. Next I lightly add some glue on the top of the batting sandwich and add the Teflon fabric - this is the top non stick surface. Teflon fabric does not have a fusible layer and this is why I glued it down lightly to the batting, then ironed it into position. Once set, I stitch my 'sandwich' together. On the top edge only with a simple straight stitch. I also add a hanging loop for easy storage. I have not over locked the edges simply because I don't want any indents showing through if I iron something delicate.

With my left over fabric, I also made an additional seam presser which is simply rolled up wool batting enclosed in the Teflon fabric - super handy. Mine is inches long by 2 inch wide and I find it super versatile.

This is the Teflon fabric, I purchased mine from a specialty store about 10 years ago now.

This is the bottom layer side. I ironed my stiff fusible cotton to the batting, this is the underside

Now I glue to top of the batting (the cotton is the bottom) and add another later of wool batting

Lastly I add my Teflon top layer of fabric. The Teflon fabric I have is not fusible, so I need the glue to keep it all neatly in place.

Then I simply ironed it all down firmly before simply stitching it together at the edge seam.

 with my leftover Teflon fabric, I made a roll for ironing seams 

 and added a loop for easy hanging

You can purchase Teflon fabric at some specialty fabric stores, and this is what I did. The only online seller offering Teflon that I have been able to find is Valerie Hearder who is in Canada. Here is a link to her supply shop area. 

If you make this ironing matt, please test it before using it on your table surface. If you need to, you can increase the wool batting layer. And if you're really worried about a table surface you can opt for a wad of newspaper to go underneath your matt when using it. Personally I have found this version to work perfectly for me and protect all the table surfaces it has been used on - but I can't guarantee any one else s experience owing to variations on fabrics and battings, so please test first.

What do you think? Do you have one? 

How did you make yours?