Friday 18 March 2016

Giveaway Time!

UPDATE: The winners have been announced below: Nancy, Billie and Joke. Ladies, if you haven't heard from me, please make contact so I can arrange to have your prizes sent out to you :)

What a fabulous weekend, I'm spending it at home, quilting of course! And you? How about leaving a comment to go into the draw to win one of these prizes? It's open worldwide and winners will be drawn at random. And this is just the start, tomorrow courtesy of The Quilt Show there'll be more opportunities and fun to be had, so be sure to come back.

Today, The Fat Quarter Shop, Green Fairy Quilts and Yours Truly want to get the weekend off to the right kind of start with some lovely giveaways to celebrate this weekend and our love of quilting. 

UPDATE: The jelly roll has been won by Nancy! 



Who doesn't love a Jelly Roll? And given that it's International Quilting Weekend, 'Bee Creative" just tickled me pink - what a perfect prize to kick start this fabulously creative weekend that celebrates the ingenuity and workmanship of quilting! Thanks to the Fat Quarter Shop for their generosity this weekend.




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The lovely folks at Green Fairy Quilts can't wait to help you find your next must have favorite fabric, so head in and have a look! Thanks to Green Fairy Quilts for their generosity this weekend.


UPDATE: The $25 voucher has been won by Billie! 


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This one's on me. I'm giving one lucky reader the chance to win this favorite book of mine, shipped straight to you from the Book Depository. This is one title I'm always recommending and this weekend I'm happy to share my love of this title with another quilter. For everything you need to know about applique, this book is my most recommended resource. 

UPDATE: The book has been won by Joke! 
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Wednesday 16 March 2016

WOW: Trying New Things

WOW = WIPs On Wednesdays
This week I've been playing around with crayons as a painting tool and technique for brushing over fabrics and prints to create new textures. I've done this a lot with acrylic paints, but not with crayons so it's been a learning experience for me. I always like to try new things and reconsidering better ways to do things I already do. And I really like the idea of brushing over a gentle hue on an existing fabric print. As I make my sweets for Sweet 2016 I have often been faced with a good fabric that is missing some speckling or little touches that would make it perfect. I like tailoring my work to make it fit my vision, so the idea of painting with these crayons really appealed.

Now, I've only just started so I can't give you a review or tutorial yet. So far, I love using paint brushes with the crayons and water to create 'wash' watercolor style touches, but don't love the fact that it turned my white fabric a dull yellow. Maybe I'm doing something wrong but this is a major set back. I'll keep playing and look into this and when I'm satisfied that I know enough to share, I'll put a tutorial up here on the blog for you to see more.

What about you? Have you used crayons to enhance fabrics as a quilting technique? 

What's Your WOW?



Tuesday 15 March 2016

Hazel & Little Hazel: Part 3

[UPDATE] Since launching Part 3, Glenda noticed (and I'm ever thankful to her!) that TEMPLATE F had the grain line pointing in the wrong direction! This is an annoying but important detail. Please re-download the Part 3 pattern (page 2) to view the correct grain line for TEMPLATE F.

This month we are working on the zig zag circular points and adding in the background. You can opt to piece in the background as I have by sewing them in, or you can stitch your completed centre circle onto a background fabric. Last month a lot of you learnt the value of patience and practice in perfecting your piecing technique! It really does take time and practice but the results are well worth the effort. 

I've really loved seeing all the Hazels and Little Hazels come together and taken aback by how many 'live' Hazels are being made right now and shown over in my Facebook BOM Group - it's a fabulous spot to share what you're doing and get any needed advice. For those of you still struggling with your Y seams, please go back and re-read my post about how to make Part 2. You can find all Hazel related posts in the Hazel archive at the top of this page. It's the perfect place to read up on techniques and see how I did it myself. Make sure Part 2 is made accurately and sitting flat before moving on to Part 3. 

These are what your Templates look like in Part 3. Take note that there is an inside curve and an outside curve. Ignore my G & H sample markings, these templates are known as E & F.
Here are the two fabrics I have opted for, notice that their sides do not match in the length
 Bring them together to create pairs, right sides facing inward
and stitch them together
Like this. Again, notice that the top and bottom of my first triangle is longer than the green - don't try to correct this, it's not an error
Now line up your next connecting piece
so when you line up this next piece, it meets up
like this
this is where I start stitching, you can see my stitch line here
this is how the seams go, I've finger pressed my seams towards the darker (red) side
this is how they look from the front
I've notched every one of my triangles in the middle out of habit for accurate reference when sewing, so I always know where the middle is. 
Then I line up my stitched together zig zag rim to check for accuracy before sewing in
Then I stitch it in
Next, when the ring was completed, I stitched in my background.

My background in this image is a striped background so I adjusted my pattern to create a specific look, don't be distracted by this - follow the pattern. In fact, since this photo was taken, I have since changed my background back to a print fabric. 
And this is what the seams look like inside

An important note on ironing: in my own opinion and experience, you shouldn't press your blocks in between creating them. I have not ironed or pressed any part of my entire centre block - and won't until the centre is complete. Then I will press it before adding my side blocks. When you iron or press, you can easily distort the pieces. And it's just not necessary - it doesn't add accuracy. I only ever finger press and I work and as you can see, my pieces fit perfectly.

This post is related to Part 3 of my current free BOMs "Hazel' and 'Little Hazel'
To join my Quilt BOM Group over on Facebook, click the image above

Don't like Facebook? You can download Part 3 files of Hazel and Little Hazel right here on this blog, right now:



Monday 14 March 2016

Sweet 2016: Making Raspberry Charlotte

Once you've read through and accurately printed and constructed your pattern this month, it's time to consider fabrics. I'm not going to say this part is easy - fabric selection is one of the hardest things for me! I was thinking about a beige range of fabrics, but once I set my eyes on these stash options in streaked gold and mottled gold, I knew I'd found my outer biscuits. Then I set out some pinks I thought could work as my raspberry part and put them out to look over as I consider the best way to create my applique pieces.
Here I am, my pattern pieces carefully drawn on fusible and cut out with a scalpel. Use a light box if necessary to trace the pieces accurately - you really need to keep an eye on tracing the pattern pieces correctly. You don't want your shapes to 'grow'. To have a nice neat finished block, every little piece needs to be kept in check at every stage.
Here are all my cut out pieces
I'm using the fusible applique method - it's the easiest and fastest way to get the shapes down
especially when dealing with so many thin flimsy pieces
and you don't have to turn edge if you don't want to - raw edge is fine

I had actually planned on making all of Sweet 2016 raw edge, but forgot when I started my macaroons and then found myself turn edging everything! What can I say? After LE, turn edging has become second nature to me!
These slivers are the shaded biscuit area that create depth between the biscuits. I had considered a darker gold (which would have worked) but ended up deciding on this deep chocolate with gold detail to tie it in. I just liked the contrast.
Here are the two shapes that create each biscuit
The gold outer biscuit and the lighter inner shape below. 
Here I am carefully turn edging each shape. I'm using glue to keep it in place. I only ever use Elmer's Glue for this as it's not a glue, but actually a starch which washes away easily. 
You can see how I leave the fusible in and turn my edge on it

I mention this because, over the whole shape of the block, turn edging can add mms on each shape which can add up by the end. To stop this happening, I cut out my shapes on the line, instead of immediately next to it. and this takes off an extra 1-2mm which will be added when I turn my edge. It sounds like such a small trick, but it really helps keep my applique pieces accurate. 
and this is how it looks against my pattern. I check every single piece as I'm making it
I pin the pieces in place as I move onto the next overlapping ones
If any shapes have grown, I immediately re-adjust the edge until it fits the pattern
front and back of the biscuits
coming along nicely
and once the biscuit pieces are all dine, this is what they look like from the back
when I'm sure my biscuits are right, I add the biscuit edges - the contrast shade from the back
and it looks like this
and here is the front
Remember that each dome has it's own size each month - so follow the pattern. Don't make any ahead or assume they will be the same - they aren't. 

Because of the light, you can't see my dome so well in this image, but I have opted for a milky background and on this dome I have not added any lacing or fringe - whether you add a decorative fringe on your own dome is a matter of personal preference. 

And here's the happy dollop of cream to top my lovely Raspberry Charlotte
For now, I've pinned my dome in place on my current but temporary background. 
I haven't decided on my final backing fabric, but am having fun plating around whilst I look. 
'Raspberry Charlotte'

'Sweet 2016' is my current Mystery Applique BOM
It's just $3.95 per month
Delivered digitally, to your email inbox each month


Sunday 13 March 2016

Sweet 2016 Part 2: Raspberry Charlotte

Our dessert this month is the classic Raspberry Charlotte, with outer biscuits and inner raspberry mousse, jelly or pudding—depending on how you prefer your own recipe. This is an iconic dessert that always looks so impressive on the platter. I always think Charlottes are almost too pretty to eat, so creating one for Sweet 2016 was an easy choice - I don't think any dessert platter is complete without one! So here is my own.
Charlottes evoke so many pleasurable memories for me—I have always made mine in a berry flavor but you could also consider a peach, lemon or chocolate version to suit the colour scheme you have decided on. 

When making the biscuits, remember to keep any eye on your edges—the shapes and pieces have a habit of growing, so after constructing your pattern accurately, keep checking all your pieces against it to make sure your own dessert isn’t enlarging!

Each dome in this mystery is a different size, so approach each dome along with the dessert each month as a unique installment. You’ll also notice that this lower dome doesn’t have a decorative fringe. I have selected to have just three domes with lacy fringes in this mystery—and you can decide yourself whether you’d like none, some or all of them to be embellished in this way.

As in Part 1, I strongly recommend that you continue creating your motifs and setting them aside or pinning them against your chosen background—don’t sew anything down yet. 

As you can see, I'm still playing around with background options. I have been set on the idea of a light, possibly floral, background. But now I've seen Glenda's deep red and it really set my heart aflutter, it's gorgeous! Perhaps I will try out some moody dark backgrounds next - dark blue? velvet red? We'll see. The background it turning out to be a real mystery to me, there's always something and I do find it nearly impossible to select and then stick with colour schemes - there's just so many possibilities and I want to day dream over all of them! I've been lucky as there are so many colours and styles being made and shown over in my BOM Group over on Facebook that I've been able to consider many more variations than I originally would have done. Although I had a soft pastel idea in the beginning, I think that the style of my cakes will determine the background ultimately. The shades I choose and the stylistic tone will determine what I finally set my hear on. Until then, I'll keep playing around each month until something sticks. 

Tomorrow I'll show you just how I made my own Raspberry Charlotte, step by step. 

'Sweet 2016' is my current Mystery Applique BOM
It's just $3.95 per month
Delivered digitally, to your email inbox each month

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